Photography

Photography Portfolio

Nature photography with custom-built optical tools.

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Paralarvae of the California two-spot octopus hatching from their egg sacs

Capturing the Unseen

Photography sits at the very core of my identity, serving as the link between my love for nature and my work in imaging systems. Specializing in the macrophotography of aquatic life, I believe that a powerful image is the most effective way to spark a genuine interest in science. As an engineer, the camera is both my canvas and my workbench; I frequently design custom instrumentation to push the boundaries of what I can capture. Follow my latest visual projects on Instagram.

Recognition

Awards & Press

Methods

Specialized Techniques

Darkfield backlighting setup with a translation stage

Darkfield / Backlighting

Small plankton are generally transparent, so their details are hard to capture with regular flash illumination. Illuminating the subject from behind greatly increases the contrast of these transparent organisms. Combined with a translation stage, this also enables focus stacking to increase depth of field.

  • Backlit transparent plankton specimen
  • Backlit transparent plankton specimen
  • Backlit transparent plankton specimen
Multi-wavelength LED array for fluorescence excitation

Fluorescence

Some organisms have fluorescent proteins that produce striking coloration when stimulated by certain frequencies of light — especially useful for coral photography. I built an LED array of royal blue, blue, violet, and cyan LEDs to stimulate these proteins; synchronizing the LEDs with the camera also captures the movement of coral tentacles.

  • Coral fluorescing under multi-wavelength LED excitation
  • Coral fluorescing under multi-wavelength LED excitation
  • Coral fluorescing under multi-wavelength LED excitation
Side-scatter illumination setup for macro subjects

Side-scatter Illumination

For relatively large, non-transparent macro subjects (~1–5 cm), side-scatter illumination produces better images than darkfield. It also avoids lighting the background — a common challenge with typical front illumination.

  • Macro subject lit with side-scatter illumination
  • Macro subject lit with side-scatter illumination
  • Macro subject lit with side-scatter illumination